Here is something a bit new. While my rating scale for normal reviews has all possible permutations for level of quality by my personal opinion, I will admit that most of my reviews will probably be for things that I at least somewhat liked (or if I didn’t like them, if they at least went by quickly enough that I could put up with them). More importantly, I only ever review things that I’ve actually finished; I feel that if I don’t get all the way through something, I can’t really give a fair assessment of it. Now, what does that have to do with this “List of Limbo”? Quite simply, the List of Limbo is basically reviews for things that I might never do a real review of because I may never actually finish them for whatever reason, because of personal bias or preference against the genre, not enjoying it enough to want to continue, running into a roadblock, or whatever else. I even have a separate rating scale for the List of Limbo, as seen on the info page below the regular rating system, for how likely I am to ever return to that item in the future and do a proper review of it.
The first work of media that I’ll be looking at for this is Super Mario 64. It may be a timeless classic in a lot of people’s minds, but if it’s on this list, I clearly don’t agree. I warned you all that when it came time for me to review things, I might be stomping on some childhood memories along the way, but you know what they say about omelets, so…let the childhood stomping begin.
Super Mario 64, if you didn’t know, is the first 3D Mario game and a launch game for the Nintendo 64. For a lot of people, it is probably the game that codified the 3D platformer genre. This time around, I guess Bowser’s trapped all the Toads in paintings or something in his perpetual quest to give a princess both PTSD and Stockholm syndrome, and we as Mario must enter the worlds depicted in those to retrieve special stars and use those stars to return things to relative normalcy. There are 15 main levels in the game, each with 7 stars to collect, and there are a few stars elsewhere as well for a total of 120 stars. Each level needs a certain number of stars to reach by way of locked doors in the castle.
As far as the gameplay is concerned, I’ve been saying for a while that 3D platformers might be the only genre easier to screw up than RPGs, and Super Mario 64 is a pretty good example of that. Given that it was one of the first 3D platformers, it stands to reason that it would have some rough spots. The camera is pretty bad, for one; it has a marked tendency to position itself at awkward angles, and despite supposedly having a manual control option (I’ve actually heard that the Nintendo 64 controller was designed for Super Mario 64, the C buttons being one reason), messing with the camera using the C buttons doesn’t seem to work very well. And speaking of the controller, the controls in this game are actually kind of annoying. I’d imagine most people have probably heard about how janky the Nintendo 64’s controller is by now, but I will at least reiterate how crappy the analog stick is, and I’m not sure why this game even needed analog control in the first place. Really, I’m not sure why analog control in general is supposed to be so great; in every game I’ve ever played that had it, I could only think how much more accurate it would have been with a separate button, rather than having a control stick that you’ll inevitably end up pushing a micrometer too far in a particular direction, causing your character to run too fast right into an obstacle. Things like “use the analog stick to tiptoe so you won’t wake up the sleeping Piranha Plant” seem just as shoehorned-in to me as the Wii’s infamous motion controls. The presence or lack of good controls can really make or break a video game, and this one definitely tends to lean more toward the “break” side. Sure, it added new moves such as the triple jump and wall jump, but I felt like the basic controls just weren’t as accurate as they should have been, especially when swimming.
Both of those pretty significant problems, however, are still less important than the thing that really ruined this game for me: the gameplay. The levels, from what I played before I gave up on the game, are small and not generally organized or paced very well, and there are only 15 of them in the entire game. One might assume that that is rectified by the star system, but the levels really don’t change much. Whichever star you’re going for, you’re still playing basically the same level, even if you’re not taking the exact same path through it. The end effect of this is that it feels like rather than playing up to 105 short stages’ worth of content, you’re just doing the same levels over and over again, and at least some of the repetition is mandatory, since you need at least 70 stars to defeat Bowser. I’m not sure who thought this was a good idea or an enjoyable way to play a game. It’s as if worlds 3 to 8 in the original Super Mario Bros. were retreads of all the levels in the first two worlds, with the only differences being that some of the levels had a few blocks, platforms, or enemies added or removed. I guess one reason for doing this could have been to save cartridge space, but considering Super Mario 64 doesn’t come anywhere near maxing out the available space inside a Nintendo 64 cartridge (the biggest games ever made for the system used 64 MB cartridges, while this game is only 8 MB), that excuse only really flies inasmuch as it was a launch game and they probably hadn’t tapped into the potential yet, similar to how Super Mario World was squeezed into a 512 KB cartridge when later SNES games such as Donkey Kong Country quite easily went up to 4 MB (in fact, the ratio is the same).
One other thing that tends to turn me off Super Mario 64, though it isn’t the game’s fault, is its fanbase. Poor game-modding communities aside, I hardly ever hear anyone who likes Super Mario 64 describe it as less than not only the best 3D Mario game but the only 3D Mario game worth playing, or even the one that all other 3D Mario games’ design should be based on. There’s always some qualifier about, for instance, Super Mario 3D Land and World not actually being 3D games (looks like somebody needs to look up what “3D” means) or being objectively inferior to Super Mario 64 (keep that dictionary around to look up what an opinion is while you’re at it), or all 3D Mario games needing to be open-world and have star collecting to be good, or some other garbage. It’s fine to like the game even if I personally don’t, but it’s not fine to tout it as the be-all, end-all approach to 3D Mario games and disparage anyone who doesn’t agree.
Problems: The way the levels are set up makes the game extremely repetitive, the camera is questionable at best, and the controls could have used some touching up.
Things that were okay: The music is decent enough.
Circle of limbo rating: 3
I really tried to like Super Mario 64, but I think I’ve given it enough chances; I wasn’t really having fun with it, and I doubt I’d ever have much incentive to give it another try. The controls are screwy, the camera is even screwier, the levels frankly feel like a whole lot of blandness and repetition…and is it just me, or is a good portion of this game’s fanbase absolutely insufferable by Mario game standards? Super Mario 64 might have been impressive in 1996, but in 2016, not so much. There are some games from that era that have aged like fine wine (Super Mario RPG, Yoshi’s Island, the Donkey Kong Country trilogy, and possibly the Mega Man games), but Super Mario 64 aged about as well as a bowl of potato salad in Death Valley. There are good 3D platformers out there, but this, as far as I’m concerned, is not one of them.