Well, we started the month with a video review, and it looks like we’re ending it the same way. I finally watched Tangled all the way through recently, so that’s what we’re looking at this time around. If you didn’t know, it’s more or less a retelling of Rapunzel with a lot of details and side plot added. There’s a flower that grants eternal youth and life, a nasty old woman hides it, its powers end up in the hair of the new princess, the woman raises the princess as her own daughter confined in a tower, she decides to leave the tower one day, shenanigans and epiphany ensue. That sums it up vaguely but concisely. The rescuer is a wisecracking thief on the run, and Rapunzel is a spirited 18-year-old (for most of the movie) armed with a frying pan. There will be unmarked spoilers this time, since I’m not really sure how else to explain certain things.
I liked the movie overall. I’m not sure I’d put it on my “all-time favorites, must watch” list, but it’s at least probably in the highest quadrant, and Rapunzel is probably one of the best Disney princesses. On a side note, there’s been a minor argument in my family about whether Tangled or Frozen is a better movie, and…I’m not sure, really. I guess I’ll get to that more if I ever review Frozen, which is likely. In any case, though, it was an interesting adventure, not to mention pretty, a worthy addition to the franchise. Also, I actually found Mother Gothel to be one of the creepiest villains in a Disney cartoon show. She didn’t even need any magic to make Rapunzel do what she wanted (in fact, there actually isn’t any magic in this other than Rapunzel’s fabulous hair); she nearly ruined the poor girl’s life with nothing but manipulation, which is perfectly possible in real life. Yikes.
Come to think of it, though…how exactly does a “drop of sunlight” fall to the ground and turn into a healing flower anyway? If it’s a gift from some higher power, why the heck isn’t it better protected? What happened to the flower after the queen used it anyway? Surely she didn’t need to use the whole thing and/or kill it? Why didn’t Eugene cut Rapunzel’s hair after she healed him with it? And why did Rapunzel need to make and keep that agreement anyway? Just once, I’d like to see the hero agree to that kind of “offer you can’t refuse”, then stab the villain in the back (possibly literally) as soon as they let their guard down. Don’t get me wrong, I’m the kind of person who very much values honesty and keeping one’s word, but being under duress invalidates any sort of honor or responsibility in that regard. In fact, Rapunzel could have just cut her hair at any time once she found out what her emotional abuser was really up to, maybe hiding the fact that she knew if necessary. Inside or outside the tower, all she needs is a pair of scissors and the wretched old hag is irrevocably screwed. As an aside, did anyone else find the scene where they’re trapped in the cave much more unsettling than it was probably meant to be? Maybe I’m just a bit claustrophobic when it comes to certain things, but…yeesh.
I guess if nothing else, it’s noteworthy that they managed to take one of the shorter, simpler fairytales and expand it into a full-length movie without really padding anything.
Rapunzel was pretty decent, a more modern princess who can take care of herself and doesn’t just have to wait to be rescued. Eugene was likable enough, if a bit self-centered at first. (Though I have to wonder what crimes he committed that were bad enough to warrant execution…maybe it’s just because it’s semi-medieval times and punishments were harsher back then?) The side characters were cute, even if they weren’t onscreen enough to have that much to them. The non-speaking animals were good for a laugh, particularly Maximus (though before seeing the movie, I’d thought he was Eugene’s horse). I will say, though, that while Mother Gothel was a pretty chilling villain, she was actually a fairly flat character. She not only wasn’t at least entertaining like some Disney villains, she didn’t really have a personality or motivation beyond “I want to live and be young forever and will use any means necessary to do so, including ruining an innocent girl’s life, because I’m a manipulative butthole who doesn’t care for anyone other than myself in the slightest”. You really have to wonder with these death-cheating bad guys what exactly they’re planning on doing with all that extra lifespan (presumably just sitting on their tuchis thinking “ha ha, I’m not dead yet, screw you, Grim Reaper” a lot).
Do cartoons even have special effects? Well, I guess the art was pretty, quite well-done.
The dialogue felt pretty natural. I can think of plenty of moments of charm and humor, but not really any that made me cringe or sigh.
Positives: I certainly can’t complain about either the lovely art and animation or the strong female lead protagonist. We need more independent, determined, strong-willed princesses in stories. Though I guess Disney’s been doing pretty okay with that lately, after not only Rapunzel but also Tiana, Merida, Anna, and Elsa. From what I’ve seen so far, Moana looks to be going in the same direction.
Negatives: Well, I’ve already mentioned not finding the antagonist an interesting or compelling character, so I shan’t repeat myself on that note. I guess one other minor knock against this is that I didn’t find the soundtrack particularly memorable. It wasn’t bad, but if we’re comparing it to Frozen, I can think of plenty of songs from that other than the (in)famous “Let it Go” that I still remember well after seeing the movie, whereas here, the only song I can even recall, much less sing any of, is the one from the “I have a dream” scene. (Well, no, I guess I also remember what “Mother Knows Best” sounds like, but that’s not what I’d call a great song or anything.)
Final score: 6
Tangled is a good movie, both in its own right and as part of the larger Disney series. I’m not really sure what about it prevents me from feeling like rating it higher, but hey, I enjoyed it.